Docxtor who season 10 epsiuode 86/27/2023 ![]() But the more interesting possibility is that she actually has undergone a transformation of spirit. Surely this is an elaborate ruse, right? The idea that she’s putting on a show in order to escape back out into the universe seems the most plausible scenario. ![]() On one hand, it’s difficult to believe Missy has changed. She comes closer to him, seemingly most concerned for his health and safety, and there’s a moment of pure electricity between the Doctor and his old nemesis. The Doctor quietly informs her that “this can’t happen” and that she must go back into the vault. As they step through the door, they see Missy sheepishly peeking from behind the time rotor. We see neither of them again until the end of the episode, when Nardole nervously greets the Doctor and Bill. The craft returns to the school and the only person Nardole can turn to is inside the vault. We never do get a solid reason for why that happens, but the result of the action is probably the only reason we need: Missy. Without warning, Bill tumbles down a shaft and Nardole rushes back to the TARDIS to get rescue gear … only for the TARDIS to dematerialize, seemingly of its own accord. (Must be a handy new feature that we’ll likely never see again.) They materialize underground in an elaborate cave system, replete with oxygen, which the Doctor credits the “indigenous Martians” with engineering. A probe called the Valkyrie is sending back images from a previously unseen area of the planet, and the first one shocks everyone in the room: It’s a landscape across which is written “God Save the Queen.” The Doctor wastes no time taking his posse to the planet, albeit in 1881, which is when the TARDIS says the message was created. The action kicks off in the present day at NASA, which the Doctor, Bill, and Nardole have infiltrated seemingly for no other reason than because they can. “Empress of Mars,” which is in no way a sequel to “Cold War” (indeed, it takes place a hundred years before its predecessor), is another score for Gatiss, and enough so that we must forgive him for last season’s dire “ Sleep No More.” “Empress” is a sleek tale of honor, loyalty, and redemption told through the filter of science-fiction mavericks such as Burroughs, Verne, and Wells. My, how just a few years can see us tumbling backward. A big part of my love revolved around its infusion of ’80s nuclear paranoia, which at the time seemed something of a distant memory. Back in season seven, Mark Gatiss reintroduced classic Doctor Who villains the Ice Warriors in “ Cold War,” an episode I was gaga over.
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